When is the HOSTLESS exhibition open?

The exhibition is on view from October 3, 2026, to January 3, 2027. The Fridericianum is open from Tuesday to Sunday and on public holidays from 11 AM to 6 PM, Thursdays until 8 PM.

What is the admission fee for the exhibition?

The regular admission is 6 euros, reduced 4 euros. Students and trainees pay 2 euros. Admission is free on Wednesdays as well as for children and teens under 18 years old.

Are there tours or educational offerings?

Yes. The Fridericianum offers public tours, special guided tours, and an artist talk with Mohammed Sami. The costs for public tours are included in the admission fee.

Is the exhibition accessible?

Access is possible via an outdoor ramp and two elevators. Barrier-free restrooms are available in the building. Accompanying persons of those with a 'B' in their disabled pass have free admission.

Are there offerings for children?

A children's vernissage for children aged six to twelve years took place at the opening. The educational program also includes creative offerings in the studio workshop.

How can one reach the Fridericianum?

The Fridericianum is located at Friedrichsplatz 18 in Kassel, about 200 meters from the tram stop Friedrichsplatz. A nearby parking garage is located at Friedrichsplatz.

HOSTLESS at Fridericianum: When spaces preserve memories and the past becomes tangible

Name: HOSTLESS – Mohammed Sami at Fridericianum
Start: 2026-10-08T11:00:00+02:00
End: 2027-01-03T18:00:00+01:00
Location: Fridericianum

HOSTLESS: Spaces where memory becomes tangible

With HOSTLESS, the Fridericianum in Kassel presents the first institutional exhibition of Mohammed Sami in Germany. From October 3, 2026, to January 3, 2027, the exhibition leads into a painting that makes interiors experienceable as psychological and memory-laden places.

Interiors between architecture and memory

Mohammed Sami's new paintings showcase spaces that initially appear as interiors or architectural studies. However, upon closer examination of the artworks, these clear associations dissolve. Walls, passages, furniture, and architectural details act like traces of an event that cannot be completely named.

The atmosphere of the exhibition remains deliberately ambiguous: Something seems to resonate in the spaces without solidifying into a concrete story. The interiors become ghostly vessels for memories, absence, and the unsaid. Sami develops a silent, physically tangible tension from this.

Painting as a place of the unnamed

In HOSTLESS, Mohammed Sami examines how painting can make mental processes visible. Abstraction begins to wobble, while colors, shapes, and spatial effects evoke a peculiar unrest. The images do not tell a linear story. They allow perception to arise while simultaneously refusing a clear resolution.

It is precisely this restraint that shapes the aesthetic experience of the exhibition. Violence, loss, or burdensome memories do not appear as spectacular motifs but as quiet condensations within the picture spaces. The painting preserves the indeterminate and invites viewers to examine their own perceptions attentively.

An international exhibition at the Fridericianum

The Fridericianum realizes this exhibition in cooperation with the Stedelijk Museum voor Actuele Kunst in Ghent and the Moderna Museet Malmö. The curation connects Sami's current series of works with an institutional context that opens questions about memory, representation, and the relationship between architecture and physicality.

A comprehensive educational program is part of the exhibition. Public tours, special guided tours, and an artist talk deepen the engagement with Sami's artistic practice. At the children's vernissage, young visitors explore the exhibition with impulse cards and subsequently develop their own works related to personal memories in the studio workshop.

Art experience for adults and children

HOSTLESS is aimed at art enthusiasts who wish to experience contemporary painting as a sensual and intellectual encounter. The dimmed light, large-format canvases, and tension-filled interiors create a concentrated spatial effect. Each viewing becomes an encounter with what remains visible and what eludes representation.

The exhibition is also suitable for families and young visitors. The children's vernissage on October 2, 2026, combined an age-appropriate introduction with creative art mediation and targeted children from six to twelve years old.

Conclusion: An exhibition of quiet unrest

HOSTLESS awaits visitors with atmospherically dense painting about interiors, memory, and absence. Mohammed Sami transforms architecture into a psychic resonance space and opens an aesthetic experience that resonates long after the museum visit. Anyone wishing to experience contemporary art as an open, intense, and educational encounter should definitely visit this exhibition at the Fridericianum live.