LIGHT TOUCHED at Palais Bellevue: A Poetic Art Experience of Light and Paper


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LIGHT TOUCHED: When Watermarks Begin to Shine in the Palais Bellevue
Barbara Beisinghoff's exhibition LIGHT TOUCHED transforms the historic Palais Bellevue in Kassel into a poetic resonance space of light, paper, language, and architecture. Delicate handmade watermark papers engage in a silent dialogue with the changing daylight in front of the windows. Only in backlight do filigree signs, words, and image spaces become visible.
An Aesthetic Experience Between Inside and Outside
The numerous windows of the Palais Bellevue form the starting point of the exhibition. Translucent paper works connect interior and exterior and change their effect with every step through the spaces. Light penetrates through gossamer-thin spots, casts shadows, and makes watermarks appear like moving images of thoughts.
Watermarks as a Language of the Visible
On the ground floor, visitors encounter the term Reschit, the first spark of light and the first word from the Zohar, the book of splendor. On the first floor, a sight axis connects an ochre-colored watermark in the fireplace room with the white work Light of the eye and of the mind in the opposite room.
Literature, Philosophy, and Art History in the Space
On the second floor, further watermarks reference words from Christa Wolf's Kassandra. In the astronomy room, texts by Georg Christoph Lichtenberg are included. A display case showcases the book COPPER ETCHINGS RESIDE from Gaston Bachelard's The Poetics of Space as well as a white sheet with a poem by Marina Tsvetaeva, whose words were written with a water jet.
An Exhibition in Motion
Under the vaulted arch of the library, three levels of watermarks slowly rotate over each other. The installation not only makes light visible but also experiential: as spatial movement, as fine materiality, and as interplay between presence and withdrawal. The barrier-free exhibition, which spans three floors, connects the contemplation of work, cultural education, and quiet concentration.
Accompanying Events
The exhibition program includes discussions, a leporello workshop, a reading, and another discussion. On October 25, a leporello workshop with Susanne Mihm-Lutz will take place from 2 to 5 PM; participation is by registration. On November 15, Marcus Angebauer and Heiko Schimmelpfeng will read prose and letters from Rosa Luxemburg to James Salter under the title The World in the Window. On November 29, there will be a discussion with Brigitte Zypries, former Federal Minister.
Conclusion: Light as an Invitation to Perception
LIGHT TOUCHED invites art enthusiasts to a sensory art experience between paper, light, literature, and historical architecture. Barbara Beisinghoff's filigree works open new perspectives on watermarks, installation, and the poetic power of material. Those who wish to experience the nuances between the visible and the invisible directly should definitely visit this exhibition at the Palais Bellevue live.
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