When does the exhibition Resonance Spaces run?

The exhibition runs from March 6, 2026, to January 24, 2027, at the New Gallery Kassel.

What is the admission fee?

The regular admission fee for the New Gallery is 8 euros, reduced 5 euros. Children and young people up to 18 years have free admission.

Where is the New Gallery located?

The New Gallery is located at Schönen Aussicht 1 in 34117 Kassel.

Is the exhibition accessible for people with disabilities?

Yes, the New Gallery is wheelchair accessible and has elevators and barrier-free restrooms.

Are there guided tours of the exhibition?

Yes, guided tours are offered. Corresponding tours for the exhibition Resonance Spaces are listed in the program of the New Gallery.

What does the exhibition show?

Significant new acquisitions are on display, featuring large-scale installations, films, and objects that deal with memory, history, and documenta contexts.

Resonance Spaces Showcases Kassel's Memory in Moving Images and Spaces

Name: Resonance Spaces
Start: 2026-03-06T01:00:00+01:00
End: 2027-01-25T00:59:59+01:00
Location: Neue Galerie

Resonance Spaces in the New Gallery: Memory as a Living Art Experience

The exhibition Resonance Spaces in the New Gallery Kassel offers a precise view of the 50th anniversary of the institution and central new acquisitions of recent years. Large-scale installations, films, and objects enter into a multifaceted dialogue about collective and personal memory, about history(ies), and about the present of the documenta-shaped collection.

A Museum that Intertwines History and Present

The New Gallery has been one of the most important places for modern and contemporary art in Kassel since 1976. Its collection connects painting, sculpture, and new media with a distinct documenta tradition. It is precisely this tension that makes the tour through the exhibition so appealing: works from different contexts encounter each other not as mere chronology, but as open examination of the works in space.

Memory as Artistic Material

The center of the presentation features works that do not illustrate memory but interrogate it. Pinar Ögrenci develops a form of collaborative remembering with her film Aşît. Jürgen O. Olbrich condenses the fragile relationship between archive and chance in his collected discarded photographs. Michal Heiman questions psychological test structures, while Ute Lindner transforms time, visual traditions, and perception into a subtle visual language in her Exposure Times.

Installation, Film, and Object in Dialogue

The exhibition thrives on materiality and spatial impact. Large-scale installations unfold presence, films create narrative depth, and objects open up conceptual side spaces. This creates an exhibition atmosphere that does not rely on quick stimuli but on close observation, aesthetic experience, and cultural education. Those who engage with this art discover fine fractures between private memory and collective memory.

Documenta Reference and Collection History

The curatorial idea convincingly integrates into the history of the New Gallery. Since the beginnings of documenta in Kassel, the institution has included international positions and new media in its collection. Resonance Spaces makes this development visible and simultaneously shows how lively a museum becomes when acquisitions are not only preserved but also embedded into a contemporary narrative.

A Visit with Depth

For art enthusiasts, the exhibition offers an impressive art experience between memory, media art, and collection history. Those who are passionate about contemporary art, documenta art, and the development of museum collections will find a smartly curated course with analytical sharpness and emotional resonance here. A visit to the New Gallery is definitely worthwhile.