How long does the exhibition run?

The exhibition is on view from March 6, 2026, to January 24, 2027.

Where does Resonance Spaces take place?

In the New Gallery, Schöne Aussicht 1, 34117 Kassel.

What is the admission fee?

The admission fee is reportedly 4 euros in addition to the museum ticket.

Are there guided tours?

Yes, guided tours are offered for the exhibition. The exact dates should be checked before visiting.

Is the New Gallery barrier-free?

Yes, according to museum information, the New Gallery is wheelchair accessible and has an elevator and barrier-free restrooms.

What content does the exhibition show?

The focuses are on significant new acquisitions with a focus on installations, films, and objects as well as topics such as memory and documenta history.

Resonance Spaces shows Kassel's documenta heritage as a quiet, compelling exhibition

Name: Resonance Spaces
Start: 2026-03-06T01:00:00+01:00
End: 2027-01-25T00:59:59+01:00
Location: Neue Galerie

Resonance Spaces in the New Gallery: Remembering, Seeing, Reading Again

The anniversary exhibition Resonance Spaces leads visitors in the New Gallery Kassel right into the productive tension of collection, documenta history, and contemporary art. The exhibition, celebrating the 50th anniversary of the institution, brings together central new acquisitions from recent years and focuses on large-scale installations, films, and objects.

A Museum That Thinks of History as Present

Since 1976, the New Gallery has been a place where regional and international art references converge. Here, painting, sculpture, and new media encounter each other in an exhibition atmosphere that sharpens the perception of breaks, traces, and overlays. The building on the edge of the Karlsaue is closely linked to documenta and presents a collection that embodies the aesthetic experience in which art history does not appear as a conclusion but as a continuous questioning.

Works Between Collective Memory and Personal Trace

The presented works reveal a sensitive network of history and present. Pinar Ögrenci explores in Aşît collaborative forms of remembering, Jürgen O. Olbrich directs attention to the forgotten with collected discarded photographs, Michal Heiman questions psychological test structures, and Ute Lindner reflects on the relationship between time, image, and perception in her Exposure Times. Thus, an art experience emerges that does not make loud appearances but resonates precisely.

Spatial Effect, Material, Light

Particularly impressive is the connection between the often generous formats and the clear architectural setting of the New Gallery. Installations develop presence in space, films create concentrated picture spaces, and objects open quiet zones for viewing works. Those who engage with the exhibition experience art as a condensed form of cultural education: sensual, reflected, and politically aware.

Guided Tours and Education

Guided tours are planned for the exhibition, which facilitate access to the contextual works and make the documenta references of the institution visible. The New Gallery thus offers not only a visit to the exhibition but also a place of mediation where art knowledge is deepened and contemporary positions are placed in a historical context.

Conclusion

Resonance Spaces invites you to experience memory as artistic material. Those who visit the New Gallery encounter a intelligently curated interplay of collection, research, and the present. This exhibition deserves a live visit, as it transforms seeing into thinking and compellingly continues Kassel's documenta history.