When does the Resonance Spaces exhibition run?

The exhibition runs from March 6, 2026, to January 24, 2027.

What is the admission fee?

The regular admission is 8 Euros, reduced 5 Euros.

Where is Resonance Spaces taking place?

In the New Gallery, Schöne Aussicht 1, 34117 Kassel.

Are there tours or accompanying programs?

Yes, the New Gallery offers tours and events. For current dates, it is worthwhile to check the program of the house.

Is the New Gallery easily accessible for a museum visit?

Yes, the museum provides information on access, public transport, and route planning through the official visitor information.

What kind of exhibition can I expect?

A curated exhibition with large-scale installations, films, and objects that engage with memory, history, and image traditions.

Resonance Spaces Opens Kassel's Collection as a Poetic Space for Memory and Presence

Name: Resonance Spaces
Start: 2026-03-06T01:00:00+01:00
End: 2027-01-25T00:59:59+01:00
Location: Neue Galerie

Resonance Spaces in the New Gallery: Kassel's Collection as a Living Space of Memory

With Resonance Spaces, the New Gallery in Kassel celebrates its 50th anniversary and opens a multi-faceted view of the recent acquisitions of the collection. The exhibition combines large-scale installations, films, and objects with questions about personal and collective memory, image traditions, and the role of the museum as a place of cultural education.

An Anniversary that Makes History Hearable

The New Gallery has been a prominent place for modern and contemporary art in Kassel since 1976. Its profile is closely linked to documenta, which has made the city internationally visible for decades. In Resonance Spaces, these lines become clear: The exhibition not only shows artworks but also the curatorial idea that collection always means presence. The museum becomes a space of thought, where works do not appear in isolation but as part of a story that is continuously being written.

Works Between Archive, Film, and Installation

The exhibition presents positions that work with memory in very different ways. Pinar Ögrenci unfolds a collaborative remembering in Aşît, intertwining personal and societal experience. Jürgen O. Olbrich turns his collected discarded photographs into a poetic archive from the seemingly insignificant. Michal Heiman questions psychological testing structures and thus exposes the fragile orders of perception. Ute Lindner, on the other hand, reflects in her Exposure Times on the relationship between time, image, and art historical tradition.

Spatial Effects, Light, and Aesthetic Experience

Resonance Spaces thrives on an exhibition atmosphere where size, materiality, and media diversity intertwine. Installations claim the space, films open temporal levels, and objects condense biographical traces. Especially in the viewing of works, an intense art experience emerges: Visitors experience how memory is not only narrated but spatially and sensorially grasped. The architecture of the New Gallery with its historical aura enhances this experience and gives the works additional presence.

Documenta Reference and Cultural Education

Since its reopening, the New Gallery has developed a clear collection strategy: Works from the 19th, 20th, and 21st centuries, documenta purchases, and new media form an open context. Resonance Spaces makes this development visible and is particularly suitable for art-interested visitors who understand art history not as a rigid sequence but as a lively engagement. The exhibition is also significant for cultural education, as it shows how museum practice preserves, organizes, and questions memory anew.

Conclusion: An Exhibition for All Who Appreciate Art as a Space of Thought

Resonance Spaces is not merely an anniversary exhibition, but a precisely curated invitation to experience art as a repository of history and as a present experience. Anyone seeking a deep, reflective, and sensorially powerful exhibition experience in Kassel should definitely visit this presentation in the New Gallery live.