When can the exhibition Resonance Spaces be visited?

The exhibition opens on September 26, 2026, at 10 AM and runs until January 24, 2027. The regular opening hours are Tuesday to Sunday from 10 AM to 5 PM.

What is the admission fee?

The regular admission for adults is 8 Euros. The reduced admission is 5 Euros. Visitors under 18 years have free entry.

Where is the exhibition taking place?

Resonance Spaces will be shown at the Neue Galerie, Schöne Aussicht 1, 34117 Kassel.

Which artworks are on display?

Large-format installations, films, and objects by Pınar Öğrenci, Jürgen O. Olbrich, Michal Heiman, and Ute Lindner, among others, will be shown.

Is the Neue Galerie accessible for people with disabilities?

The Neue Galerie is wheelchair accessible and has an elevator, barrier-free restrooms, a multimedia guide in sign language, and disabled parking spaces.

Are there educational offerings related to the exhibition?

Guided tours and workshops are planned for school classes, including an action-oriented tour to engage with memory, visual materials, and artistic techniques.

Resonance Spaces in Kassel: How art reconnects memories, spaces, and history

Name: Resonance Spaces
Start: 2026-09-26T10:00:00+02:00
End: 2027-01-24T17:00:00+01:00
Location: Neue Galerie

Resonance Spaces: Memory becomes spatial art at the Neue Galerie Kassel

On the occasion of the 50th anniversary of the Neue Galerie, the exhibition Resonance Spaces invites a multi-layered examination of history, memory, and the development of the contemporary collection. Large-format installations, films, and objects unfold an intense exhibition atmosphere where personal experiences and collective memory images resonate with one another.

A collection in the tension between documenta and contemporary art

The Neue Galerie, opened in 1976, connects the municipal and state collections of modern and contemporary art. Its connection to documenta early on opened the institution to international positions and new media. Resonance Spaces makes visible how this curatorial attitude continues through significant acquisitions in recent years.

The exhibition navigates a network of historical traces, archive materials, and individual experience spaces. It is not the individual work that is at the center, but its relationship to space, time, and memory. This creates an art experience that engages perception as well as art-historical reflection.

Memory as a collective process

Pınar Öğrenci's film Aşît addresses collaborative remembering and sets processes of collective memory formation in motion. The cinematic medium appears not merely as documentation, but as a vibrant memory space where voices, images, and experiences intertwine.

Jürgen O. Olbrich focuses on discarded photographs. His archive, which has grown over the years, transforms seemingly incidental image material into a cultural-historical memory. The thematically ordered albums connect everyday observation, coincidence, and archival practice, raising the question of which images are preserved and why.

Psychological order and personal perception

Michal Heiman examines the structures of psychological tests in her works. Her artistic analysis questions seemingly objective procedures and shows how significantly perception is shaped by biographical experiences, social norms, and institutional order systems.

This examination of works gains a dialogical dimension: visitors encounter not only an installation or an image but also their own expectations regarding interpretation, memory, and identity. This aesthetic experience combines art-historical expertise with immediate self-reflection.

Time, light, and the traces of images

Ute Lindner's Exposure Times draws attention to temporal processes and image traditions. Materials and surfaces preserve traces of earlier presentations and make visible how exhibition spaces themselves become carriers of history. Light, color, and textile structures create a quiet yet physically perceptible spatial effect.

In this combination of photography, installation, and materials research, the special quality of the exhibition is revealed: the past does not appear concluded but continues to accumulate in images, objects, and spaces.

Cultural education and offers for school classes

Hessen Kassel Heritage enhances the exhibition with museum educational offers. For school classes, guided tours and workshops are planned, enabling active engagement with memory, visual material, and artistic techniques. Thus, the exhibition becomes a place of cultural education where seeing, questioning, and creating come together.

Conclusion: An art experience between archive, film, and installation

Resonance Spaces invites art enthusiasts with a focused selection of contemporary acquisitions that do not merely illustrate history but make it sensually and critically experienceable. The exhibition connects the documenta context, media art, installation, and archive into an immersive aesthetic experience. Those who wish to experience how memories shape spaces and how art opens new perspectives on the past should definitely visit this exhibition live at the Neue Galerie Kassel.