When is the Resonance Spaces exhibition open?

The exhibition is on view from March 6, 2026, to January 24, 2027. The Neue Galerie is open Tuesday to Sunday and on public holidays from 10 am to 5 pm.

What is the entrance fee for the exhibition?

The regular entrance fee for adults is 8 euros. The reduced fee is 5 euros. Children and teenagers up to 18 years of age receive free admission.

Where does Resonance Spaces take place?

The exhibition takes place at the Neue Galerie, Schöne Aussicht 1, 34117 Kassel.

What artworks are displayed in Resonance Spaces?

Displayed are large-scale installations, films, and objects, including works by Pınar Öğrenci, Jürgen O. Olbrich, Michal Heiman, and Ute Lindner.

Is the Neue Galerie accessible for people with disabilities?

The Neue Galerie has barrier-free access and a barrier-free restroom.

How is the Neue Galerie accessible by public transport?

The Neue Galerie is located near the Rathaus and Fünffensterstraße stops, where several tram lines as well as regional tram and bus connections stop.

Resonance Spaces in Kassel: Where memory, documenta, and new art impressively merge

Name: Resonance Spaces
Start: 2026-11-07T10:00:00+01:00
End: 2027-01-24T17:00:00+01:00
Location: Neue Galerie

Resonance Spaces: Memory comes alive in the exhibition space

The exhibition Resonance Spaces. documenta Art and Other Recent Acquisitions at the Neue Galerie Kassel celebrates the 50th anniversary of the institution and presents central acquisitions from recent years. From March 6, 2026, to January 24, 2027, large-scale installations, films, and objects will explore personal and collective memories as well as the significance of archives, images, and historical narratives.

A museum in dialogue with documenta

Since its opening in 1976, the Neue Galerie has connected state and municipal collections of modern and contemporary art with the international perspective of documenta. The exhibition makes visible how this institutional context has integrated new media, global positions, and experimental forms into the collection. The curation unfolds a multifaceted web of history, stories, and individual experiential spaces.

Installations, films, and objects with strong spatial impact

At the center are works whose impact is particularly revealed in the immediate viewing of the piece. Large-scale installations shape the exhibition atmosphere, while films, photographic materials, and objects make visible different forms of remembering. Light, image fragments, surfaces, and spatial arrangements create a concentrated aesthetic experience where private traces connect with societal memory images.

Four artistic perspectives on memory

Pınar Öğrenci addresses processes of collaborative remembering in her film Aşît. The work draws attention to communal experiences and the question of how history is continued through shared narratives.

Jürgen O. Olbrich dedicates himself to discarded photographs and transforms seemingly incidental image remnants into fragile testimonies of private image culture. His artistic practice shifts the focus from valuable individual works to the traces that people, times, and social relationships leave in images.

Michal Heiman questions the structures of psychological tests in her works. Her art examines perception, attribution, and power, illustrating how supposedly objective processes are shaped by cultural and institutional conditions.

Ute Lindner reflects on temporal flows and image traditions in her Exposure Times. The work connects photographic thinking with the history of painting and makes visible how perception changes through hanging, light, and temporal displacement.

Cultural education and aesthetic experience

Resonance Spaces targets experienced art lovers as well as visitors who wish to explore contemporary art through questions, discussions, and close observation. The exhibition opens pathways to installation, film, photography, archive art, and documenta history. In the interplay of expertise, sensory spatial impact, and cultural education, an art experience emerges that stimulates reflection on personal memory and societal memory.

Conclusion: An exhibition that resonates

The Neue Galerie Kassel transforms memory into a spatially tangible and simultaneously open encounter with contemporary art. Visitors can expect an exhibition full of image traces, materiality, and historical resonances. Those who want to not only view art but also experience its impact in space should definitely visit Resonance Spaces in person.