When can the exhibition be seen?

The exhibition runs from April 11, 2026, to June 7, 2026, at Kasseler Kunstverein.

How much is the admission fee?

The regular admission fee is 5 euros, reduced 3 euros. Admission is free on Wednesdays.

Is there wheelchair access?

Yes, the exhibition spaces are accessible, reachable via ramps, and have accessible restrooms.

Are there guided tours or accompanying formats?

According to the event page, an Artist Talk will take place on April 11, 2026, at 2 PM. Other mediation offerings will follow depending on the program of the house.

How do I get there by public transport?

Kasseler Kunstverein is accessible via lines 1, 3, 4, 5, 6, or 8 to Friedrichsplatz.

Is photography allowed in the exhibition?

There are no secure details available in the provided sources. It is best to inquire directly with Kasseler Kunstverein.

Tanja Nis-Hansen transforms painting into a vibrant play of body, language, and pictorial power

Name: What an old Woman Will Wear
Start: 2026-05-07T13:00:00+02:00
End: 2026-06-07T20:00:00+02:00
Location: Kasseler Kunstverein e. V.

An artistic experience between body, language, and vulnerable presence

In the Kasseler Kunstverein, Tanja Nis-Hansen unfolds with What an old Woman Will Wear an exhibition that combines painting, text, and spatial presence into a compelling artistic experience. The exhibition leads into an imagery where language is not explained but transformed, and where physical, mental, and societal states condense as an aesthetic experience.

30 large-format oil paintings as expansive painting

The heart of the exhibition consists of 30 large-format oil paintings that form the acronym GRWM and appear like floating pictorial signs in space. Nis-Hansen works in the expanded field of painting: Her works combine figuration, text fragments, and performative gestures into a composition that directs, breaks, and reopens the gaze. Signs like apple, eye, dodo, or wind turbine do not appear merely as motifs but as symbolic markers of a presence marked by self-staging and uncertainty.

Between beauty routine, social media, and art history

The exhibition takes the phenomenon Get Ready With Me as its starting point and transfers it from the logic of platform culture into a visually charged artistic language. Allusions to mannerism, decorative forms, and grotesque exaggeration intertwine with a precise reflection on work, body images, and the monetization of privacy. Thus arises a painting that is not only to be observed but wants to be read.

Vulnerability, age, and the open image

The exhibition has a particularly strong effect where it translates questions of vulnerability, mortality, and the aging body into a quiet yet distinctly charged spatial dramaturgy. The image surfaces seem to move out from the wall, as if they want to dissolve the boundary between canvas and space, between representation and reality. It is precisely in this tension that the intensity of viewing the works lies.

Cultural education and curatorial precision

The Kasseler Kunstverein relies on this presentation of an exhibition that intertwines art historical classification and current image culture. The project is complemented by an artist talk format of exchange that deepens access to curatorial and artistic practice. Those interested in contemporary painting, feminist perspectives, and the role of language in imagery will find rich material for concentrated engagement here.

Visitor feedback

On Instagram, the presentation proves to be an occasion for attention and conversation: Tanja Nis-Hansen's pictorial spaces invite close observation, intense interpretation, and prolonged staying.

Conclusion: A must for anyone wanting to see contemporary painting anew

What an old Woman Will Wear is an exhibition for all who wish to experience art not merely as a surface but as a space for thought. Those who engage with these works encounter a precise, sensual, and intellectually layered confrontation with body, language, and presence. A visit to the Kasseler Kunstverein is definitely worthwhile.