When can the exhibition be seen?

The exhibition runs from April 11 to June 7, 2026, at the Kassel Kunstverein.

What is the entrance fee?

The regular admission is 5 euros, reduced 3 euros. Admission is free on Wednesdays.

Where is the exhibition taking place?

At the Kassel Kunstverein e. V. at Friedrichsplatz 18 in 34117 Kassel.

Is the exhibition venue accessible?

The Kassel Kunstverein is centrally located in the Museum Fridericianum. For specific information on accessibility, it is recommended to inquire directly with the venue.

What themes does the exhibition address?

The focus is on painting, text, and performance, as well as the engagement with vulnerability, mortality, language, and working conditions in the art industry.

Are there official social media channels?

No verified official profiles were found for this evaluation.

A Radical Painting Exhibition on Body, Language, and Vulnerability in Kassel

Name: What an old Woman Will Wear
Start: 2026-05-10T13:00:00+02:00
End: 2026-06-07T20:00:00+02:00
Location: Kasseler Kunstverein e. V.

What an old Woman Will Wear at the Kassel Kunstverein: Painting as Fragile Present

With What an old Woman Will Wear, the Kassel Kunstverein opens an exhibition that condenses painting, text, and performance into a compelling reflection on vulnerability, physicality, and mortality. From April 11 to June 7, 2026, 30 large-format oil paintings by Tanja Nis-Hansen will be on display, which together form the acronym GRWM and transform the familiar language of the present into a poetic visual world.

Between Everyday Phrase and Art History

Nis-Hansen works in the expanded field of painting and connects the visual language of the studio with the codes of digital self-staging. The social media phenomenon GRWM is not quoted illustratively here but translated into a painterly grammar. Language becomes ornament, a casual sentence gains weight, and the image begins to oscillate between surface and abyss.

Large Format, Color, Presence

The exhibition thrives on the physical force of large formats. Oil paint, text fragments, and performative thought movements create an exhibition atmosphere in which body, gaze, and memory question each other mutually. Those who view the works do not experience a distanced illustration but an immediate examination of the work: colors become carriers of psychological states, forms become traces of an inner monologue.

Vulnerability as Aesthetic Experience

At its center is an art that does not conceal the precarious. Nis-Hansen directs the gaze towards shame, fatigue, aging, and the fragility of social roles. At the same time, the sale of screen-printed T-shirts points to the precarious working conditions in the art industry and expands the exhibition to include a critical cultural education level. Thus, the exhibition becomes a place where contemporary art is not only viewed but comprehended.

The Kassel Kunstverein as a Venue for Contemporary Art

The Kassel Kunstverein is one of the traditional art associations in Germany and sees itself as an experimental field for contemporary art. The venue shows up to four exhibitions per year and regularly presents positions from painting, installation, performance, and media art. For this exhibition, the space at Friedrichsplatz provides the appropriate framework: clear, concentrated, and open for an intense engagement with artistic strategies of the present.

Conclusion: What an old Woman Will Wear promises an exhibition of great formal presence and intellectual sharpness. Anyone interested in painting, art historical references, and the aesthetic experience of contemporary visual languages should definitely experience this exhibition live in Kassel.