What an old Woman Will Wear at the Kassel Art Association: Painting, Text, and Body in Dialogue


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„What an old Woman Will Wear“ at the Kassel Art Association: Painting as a Poetic Rejoinder
With “What an old Woman Will Wear”, the Kassel Art Association presents an exhibition that condenses painting, text, and performance into an intense art experience. At its center are 30 large-format oil paintings by Tanja Nis-Hansen, which together form the acronym GRWM, exploring the fragile balance between body, language, and societal perception.
Between Image, Text, and Physical Presence
The works of Nis-Hansen operate within an expanded field of painting. Her imagery combines figurative hints with linguistic fragments inscribed like ornaments into the surface. This creates an experience of contemplation that extends far beyond the mere canvas: language becomes material, painting becomes a space for thought, and the atmosphere of the exhibition gains a rare tension between intimacy and institutional presence.
GRWM as Cultural Commentary
The exhibition title refers to a common practice that circulates millions of times on social media while simultaneously raising questions about self-presentation, labor, and visibility. Nis-Hansen transforms this contemporary language into a historically charged reflection on vulnerability, mortality, and the economic conditions of artistic production. The additionally offered screen-printed T-shirts sharpen this perspective, as they precisely refer to precarious working conditions in the art world, intertwining edition, critique, and performance into an ironic yet serious gesture.
Spatial Effect and Aesthetic Experience
The large-format oil paintings generate a dense spatial effect in which color, scale, and characters wrestle with each other. It is precisely this tension that makes the exhibition enticing: the eye follows surfaces, while thought lingers on societal codes. Thus, an art experience arises that does not aim for quick readability but for slow approach, for aesthetic experience, and for the question of how an image can speak without exhausting itself.
The Artist in an International Context
Tanja Nis-Hansen works in Berlin and exhibits internationally. Her practice combines painting with text and performance, investigating how body images, desires, and social norms are negotiated within cultural hierarchies. In the current exhibition, this work emerges with particular clarity: as a critical, yet sensual reflection on the relationship between image, self, and public.
The Kassel Art Association as a Space for Contemporary Curation
The Kassel Art Association is one of the traditional forums for contemporary art in Germany. Since 1835, it has promoted artistic positions with a clear focus on current questions of contemporary art, mediation, and cultural education. The generous exhibition space at Friedrichsplatz provides the appropriate framework: open, urban, and precisely oriented towards perception in space.
Conclusion: An Exhibition Experience That Remains
“What an old Woman Will Wear” is an exhibition for all who want to experience painting not as a finished image, but as a living space for thought. Those interested in contemporary art, feminist perspectives, and the poetic power of language will find here a compelling reason to visit. This show is definitely worth the trip to Kassel – live, it unfolds its full impact.
Official Channels of Tanja Nis-Hansen:
- Instagram: No official profile found
- Facebook: No official profile found
- YouTube: No official profile found
- Website: https://tanjanishansen.com/info.html
Sources:
- Kassel Art Association - official website
- Kassel Art Association - Visit / Opening Hours / Accessibility
- OTP Copenhagen - Tanja Nis-Hansen Overview
- Art Viewer - Tanja Nis-Hansen at Kassel Art Association
- Mittendrin Kassel - What an Old Woman Will Wear
- HNA - Tanja Nis-Hansen builds monumental letters from 30 paintings










